List of bibliographic references indexed by Christ Church
Number of relevant bibliographic references: 75.
[0-50] [
0 - 20][
0 - 50][
50-70]
Ident. | Authors (with country if any) | Title |
---|
000004 (2013) |
Peter Milward [Japon] | Book Reviews - |
000023 (2011) |
Antonio T. Bly | In Pursuit of Letters: A History of the Bray Schools for Enslaved Children in Colonial Virginia |
000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
000037 (2010) |
Stephen Rice | National treasures |
000043 (2010) |
David Trendell [Royaume-Uni] | A Tudor miscellany |
000054 (2009) |
C. V. R. Blacker ; David Pinto | Desperately seeking William: portraits of the Lawes brothers in context |
000066 (2009) |
| Microform Reviews |
000079 (2008) |
C. S. L. Davies [Royaume-Uni] | The Youth and Education of Christopher Wren |
000084 (2008) |
Candace Bailey [Niger] | Blurring the Lines: ‘Elizabeth Rogers hir Virginall Book’ in Context |
000086 (2008) |
| Annual Index |
000103 (2007) |
Peter Leech | Devotional music from Stuart England |
000115 (2006) |
Oliver Neighbour | Psalmes, Sonets and Songs (1588) |
000150 (2005) |
David Pinto | Magic and mystery in Gibbons and Dowland |
000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
000161 (2005) |
John Milsom | Absorbing Lassus |
000162 (2005) |
John Milsom | Absorbing Lassus |
000169 (2004) |
Kerry Mccarthy | William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary |
000185 (2003) |
John Milsom | Byrd, Sidney, and the art of melting |
000217 (2001) |
Benjamin Davies | The Historiography of the Reformation, or the reformation of historiography |
000227 (2001) |
Alexandra Wilson | REVIEWS OF BOOKS |
000230 (2001) |
John Mcclelland | REVIEWS OF BOOKS |
000232 (2001) |
Suzanne Aspden | REVIEWS OF BOOKS |
000253 (2001) |
Ruby Reid Thompson | FRANCIS TREGIAN THE YOUNGER AS MUSIC COPYIST: A LEGEND AND AN ALTERNATIVE VIEW |
000257 (2001) |
Stephen Press | DIAGHILEV AND THE TWO VERSIONS OF PROKOFIEV‘S ’CHOUT‘ |
000259 (2001) |
Peter Holman [Royaume-Uni] | Compositional choices in Henry Purcell's Three Parts upon a Ground |
000267 (2001) |
Elizabeth Eva Leach [Royaume-Uni] | Cristle Collins Judd (ed.), Tonal Structures in Early Music |
000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
000284 (1999) |
Ian Spink | REVIEWS OF MUSIC |
000289 (1999) |
Fabrice Fitch | A chromatic fantasia |
000303 (1998) |
| Main Index |
000313 (1997) |
John Milsom | The passing of time |
000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
000327 (1996) |
Robert Shay | ‘NATURALIZING’ PALESTRINA AND CARISSIMI IN LATE SEVENTEENTH-CENTURY OXFORD: HENRY ALDRICH AND HIS RECOMPOSITIONS |
000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
000333 (1996) |
David Pinto | REVIEWS OF MUSIC |
000345 (1995) |
Eric Van Tassel | Purcell's sacred music on record—I |
000349 (1995) |
Sarah Boyer ; Jonathan Wainwright | From Barnard to Purcell: the copying activities of Stephen Bing |
000374 (1993) |
Michael G. Brennan | SIR CHARLES SOMERSET'S MUSIC BOOKS (1622) |
000378 (1993) |
David Mateer | John Taverner, ‘Western Wynde’ Mass; O Splendor Gloriae; Te Deum, Alleluia Veni, Electa Mea, The Sixteen, directed by Harry Christophers Hyperion CDA66507 (rec 1991); John Sheppard, Church Music, Vol. 3, The Sixteen, directed by Harry Christophers, Hyperion CDA66570 (rec 1991); Thomas Weelkes, Cathedral Music. Winchester Cathedral Choir, conducted by David Hill, Hyperion CDA66477 (rec 1991); John Sheppard, Thomas Tallis, William Byrd, Robert White, Compline with Anthems and Motets, Clare College Chapel Choir, Cambridge, directed by Timothy Brown, Gamut Classics GAM CD 531 (rec 1992); Orlando Gibbons, Anthems and Instrumental Music, The Elizabethan Consort, Adrian Lucas (organ), The Choir of St John's College, Cambridge, directed by George Guest Meridian CDE 84226 (issued 1992) |
000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
000397 (1991) |
David Pinto | THOMAS TOMKINS AND A COPYIST ASSOCIATED WITH HIM |
000401 (1991) |
David Mateer | RECORDINGS |
000417 (1990) |
Christopher D S Field | RECORDINGS |
000427 (1989) |
Roger Bowers | RECORDINGS |
000471 (1986) |
Louise Schleiner | RECENT STUDIES IN POETRY AND MUSIC OF THE ENGLISH RENAISSANCE |
000525 (1982) |
Denis Stevens (musicologue) | A Songe of fortie parts, made by Mr. Tallys |
000528 (1981) |
Craig Monson | Through a Glass Darkly: Byrd's Verse Service as Reflected in Manuscript Sources |
000532 (1981) |
Irving Godt | PRINCE HENRY AS ABSALOM IN DAVID'S LAMENTATIONS |
000533 (1981) |
Philip Brett | Homage to Taverner in Byrd's masses |
000538 (1981) |
Nick Sandon | Another mass by Hugh Aston? |
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